{"id":2305,"date":"2021-12-14T16:52:27","date_gmt":"2021-12-14T16:52:27","guid":{"rendered":"https:\/\/hub.salford.ac.uk\/amc-practice-as-research\/?p=2305"},"modified":"2021-12-15T11:16:07","modified_gmt":"2021-12-15T11:16:07","slug":"lucie-sykes","status":"publish","type":"post","link":"https:\/\/hub.salford.ac.uk\/amc-practice-as-research\/2021\/12\/14\/lucie-sykes\/","title":{"rendered":"Lucie Sykes"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/hub.salford.ac.uk\/amc-practice-as-research\/wp-content\/uploads\/sites\/133\/2021\/12\/l2-1024x1024.jpg\" alt=\"\" class=\"wp-image-2307\" srcset=\"https:\/\/hub.salford.ac.uk\/amc-practice-as-research\/wp-content\/uploads\/sites\/133\/2021\/12\/l2-1024x1024.jpg 1024w, https:\/\/hub.salford.ac.uk\/amc-practice-as-research\/wp-content\/uploads\/sites\/133\/2021\/12\/l2-300x300.jpg 300w, https:\/\/hub.salford.ac.uk\/amc-practice-as-research\/wp-content\/uploads\/sites\/133\/2021\/12\/l2-150x150.jpg 150w, https:\/\/hub.salford.ac.uk\/amc-practice-as-research\/wp-content\/uploads\/sites\/133\/2021\/12\/l2-768x768.jpg 768w, https:\/\/hub.salford.ac.uk\/amc-practice-as-research\/wp-content\/uploads\/sites\/133\/2021\/12\/l2.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Project<\/strong> <strong>Title<\/strong>: Embodied Dance Improvisatory Approaches: Exploring the Sculptural Qualities of Improvising Bodies&nbsp;<em>within&nbsp;<\/em>Motion Capture Environments&nbsp;<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Supervisors:<\/strong>&nbsp;Dr Joanne Scott and Dr Richard Talbot&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Abstract<\/h2>\n\n\n\n<p>This thesis examines the relationship between experiential events of improvising bodies and expressive movement qualities and proposes that working with&nbsp;<em>sculptural qualities<\/em>&nbsp;offers an innovative approach to dance improvisation within a motion capture environment. Through Practice-as-Research, informed by current critical theory on praxis, this research focus on the&nbsp;<em>sculptural qualities&nbsp;<\/em>as a lived experience intertwined in-between body, self, and the world. Through the feedback loops extend the body in a meaningful way of \u201cbeing-towards-world\u201d,&nbsp;a temporal dialect between the I-body-as-sensory-Device.<\/p>\n\n\n\n<p>The \u2018praxis\u2019 (Nelson, 2013) of this research embodies both practical and phenomenological theories to establish a framework for&nbsp;<strong>accessing<\/strong>&nbsp;and&nbsp;<strong>activating<\/strong>&nbsp;<em>sculptural qualities<\/em>&nbsp;of improvising bodies through technologically innovative means.&nbsp;It addresses the practice engaging with Robin Nelson&nbsp;<em>Multi-mode epistemological model for PaR&nbsp;<\/em>(2013) with a combination of ethnographyic theory, and reflections utilising hermeneutic and interpretive phenomenology analysis, and document(ation). The phenomenology of lived experience is examined through the lenses of Maurice Merleau-Ponty\u2019s works (1945, 1962, 1964), and Andy Clark (2008) extended embodied mind-body. The initial outcomes of the research evolved from two phases of the praxis so far.&nbsp;<\/p>\n\n\n\n<p>The articulation of the processual and relational approach to understanding&nbsp;<em>sculptural qualities<\/em>&nbsp;was developed by examining the kinetic experience, responses, and aesthetics in three-dimensional space enabled the research to engage a visualisation of&nbsp;<em>sculptural motion<\/em>&nbsp;in the form of \u2018trace-forms\u2019&nbsp;(Laban, 1966, 2011)&nbsp;and its aesthetic&nbsp;<em>qualities<\/em>&nbsp;as&nbsp;<em>line-visuals<\/em>&nbsp;(using Motive software) and&nbsp;<em>dots\/points with particles&nbsp;<\/em>(using Touch Designer software).&nbsp;<\/p>\n\n\n\n<p>The feedback loops and in its total hermeneutic \u201cloopiness\u201d (Clark, 2008) enabled explorative visualisations and kinesthesis experiences and responses of the user-dancer\/user-research. The core elements of sculptural qualities arise from these looping feedback explorations on how to&nbsp;<strong>activate and access it. These are<\/strong>:&nbsp;<strong>repetition, accidental choreographies, stillness (as a state), stillness with T-pose. Four participants engaged with the workshop and t<\/strong>hrough reflective practice as defined by Donald Sch\u00f6n (1983, 1991) they developed the core elements of sculptural qualities:&nbsp;<strong>Accidental Micro-Choreographies, Stillness as a State, T-pose with Stillness, and Repetition<\/strong>.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"635\" height=\"423\" src=\"http:\/\/hub.salford.ac.uk\/amc-practice-as-research\/wp-content\/uploads\/sites\/133\/2021\/12\/mocap1.jpg\" alt=\"\" class=\"wp-image-2308\" srcset=\"https:\/\/hub.salford.ac.uk\/amc-practice-as-research\/wp-content\/uploads\/sites\/133\/2021\/12\/mocap1.jpg 635w, https:\/\/hub.salford.ac.uk\/amc-practice-as-research\/wp-content\/uploads\/sites\/133\/2021\/12\/mocap1-300x200.jpg 300w\" sizes=\"(max-width: 635px) 100vw, 635px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Bio<\/h2>\n\n\n\n<p>Lucie Sykes is an academic, researcher and an artist in dance and digital performance practices. She is currently pursuing a PhD by practice as research in the School of Arts, Media and Creative Technology, at the University of Salford. Her research title is:&nbsp;<em>An exploration of the sculptural quality of an improvising body through its visualisation in digital environments.&nbsp;<\/em><\/p>\n\n\n\n<p>Lucie Lee (married name Sykes) is fascinated by movement and the interface between the body and digital technologies. Lucie uses interdisciplinary approaches to explore improvisation to enhance making\/creating movement and dance composition. Lucie Lee was selected to be one of twenty-one UK choreographers for the Choreographers Observership Scheme 2017\/18 with One Dance UK.&nbsp;<\/p>\n\n\n\n<p>Lucie Lee Dance is an emerging experimental dance digital and theatre company whose work investigates the inter-relationships between Art and Science. Lucie Lee Dance uses cutting edge digital technologies to explore themes of embodiment, human-machine interaction, drawing inspiration from physical phenomena. Lucie Lee Dance creates interactive dance digital performances and interactive installations, which have multi-sensory outputs.<\/p>\n\n\n\n<p><\/p>\n\n\n\n\n\n<p>Email:\u00a0<a href=\"mailto:l.sykes2@edu.salford.ac.uk\">l.sykes2@edu.salford.ac.uk<\/a>\u00a0<\/p>\n\n\n\n<p>Instagram:\u00a0\u00a0@Lucie.Sykes.Research @LucieLeeDance<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Twitter&nbsp;:&nbsp;@LucieLeeDance<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Web&nbsp;:&nbsp;<a href=\"http:\/\/www.lucieleedancecompany.org.uk\/\">www.lucieleedancecompany.org.uk<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Project Title: Embodied Dance Improvisatory Approaches: Exploring the Sculptural Qualities of Improvising Bodies&nbsp;within&nbsp;Motion Capture Environments&nbsp; Supervisors:&nbsp;Dr Joanne Scott and Dr Richard Talbot&nbsp; This thesis examines the relationship between experiential events of improvising bodies and expressive movement qualities and proposes that working with&nbsp;sculptural qualities&nbsp;offers an innovative approach to dance improvisation within a motion capture environment. Through [&hellip;]<\/p>\n","protected":false},"author":223,"featured_media":2306,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-2305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-postgraduate-researchers"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lucie Sykes | Practice as Research | University of Salford<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hub.salford.ac.uk\/amc-practice-as-research\/2021\/12\/14\/lucie-sykes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lucie Sykes | Practice as Research | University of Salford\" \/>\n<meta property=\"og:description\" content=\"Project Title: Embodied Dance Improvisatory Approaches: Exploring the Sculptural Qualities of Improvising Bodies&nbsp;within&nbsp;Motion Capture Environments&nbsp; Supervisors:&nbsp;Dr Joanne Scott and Dr Richard Talbot&nbsp; This thesis examines the relationship between experiential events of improvising bodies and expressive movement qualities and proposes that working with&nbsp;sculptural qualities&nbsp;offers an innovative approach to dance improvisation within a motion capture environment. 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